My visual art is not so much about creating a pretty product as it is about conducting experiments, translating found gestures, or developing case studies in response to the following questions-- Anthropologically, in a technological age, why do we still desire/need the hand-drawn or messy line in poetry and art? Sociologically, amidst nuclear anxiety and terrorism, where so much of the enemy is unthinkable, how can we (why do we) still embrace abstraction and optimism?
Review a sample of previous projects below.
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 2012 / future portraits: documents of our mutual transference
 2010 / the imaginative action regime & the los angeles project: adventures in nuclear living
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